Building remarkable 12-strings is part of Taylor's heritage, and V-Class  bracing now resolves some of the tuning idiosyncrasies unique to  12-string guitars. Strings will be heard as very in-tune, whether unison  or octave, and are chimey, crystalline and shimmery.  The new  double-mounted string anchoring design features a shared anchor point  for each string pairing. With a single row of bridge pins, the strings  all have a consistent break angle over the saddle, which contributes  more tonal consistency in the guitar's voicing. The bridge pins are the  same as those used on six-string models. 
Taylor 12-string  guitars are famous for their ease-of-play, their neck stability, their  intonation and their overall tone, making them the most popular  12-strings on the market. Taylor's slim neck profile and neck-to-body  system allow precise and low action, resulting in the most comfortable  "handfeel" possible in a 12-string guitar. Taylor's 300 Series has  introduced countless players to the pleasures of the all-solid-wood  acoustic experience; it's the entry point to Taylor's USA-made  instrument line. 
Players who step up to a 300 Series instrument  will be rewarded with a guitar-for-a-lifetime that will only sound  better with age. It doesn't take but a few strums to learn how the mix  of tone woods, construction and appointments combine to make Taylor's  famous playability, intonation and tone. The 300 Series has everything  you need and nothing you don't need in a fantastic sounding and playing  instrument.  All 300 Series instruments ship in a deluxe hard shell case  made by Taylor for optimal fit and protection. 
Body Shape 
Taylor's  Grand Concert is slightly smaller that its Grand Auditorium and yields  controlled overtones, so the sound won't occupy a lot of sonic space.  This is often a key consideration when other instruments are in the mix,  such as in a performance or recording environment, and it allows the  guitar to be heard more clearly. Its intimate size makes it  lap/couch-friendly, and a great fit for players who find smaller  instruments more physically comfortable. 
Taylor's 12-fret  designs are appealing to many players who enjoy the guitars' compact  playing framework, blending the lap-friendly Grand Concert body with the  slightly condensed fret spacing of the 24-7/8-inch scale length and the  shorter 12-fret neck orientation. This combination creates a slinky  "handfeel" and easier fretting. Factor in the surprising tonal power and  midrange warmth and vibrancy for a smaller body, thanks to the bridge's  position near the center of the lower bout. The design is physically  efficient, so it has strong projection; despite its smaller size it  sounds like a huge instrument. 
Taylor 12-fret guitars are not  just great for fingerstyle and light playing; players who love strumming  or digging in with a heavier attack also appreciate them for their  tonal character. Pairing a 12-fret neck design with a cutaway body  blends the unique response from the bridge sitting back a little farther  on the lower bout with the accessibility to the upper register - you  get to play the high notes.
 
Tone Wood Pairing 
A  guitar's top is the primary filter and distributor of vibrating string  energy through the guitar, which means it has a huge impact on its  sound. Sitka Spruce is the most prevalent guitar top wood of the modern  era. It blends stiffness and elasticity in just the right proportions  which translates into broad dynamic range with crisp articulation. Solid  Sapele back and sides complement the top with a sound that's comparable  to mahogany but with a slightly brighter sound featuring top-end  shimmer, and balance across the tonal spectrum. Sapele responds well to a  variety of playing styles and fits nicely into an instrument mix. 
Electronics 
Taylor's  ES2 is a revolutionary pickup design that delivers the latest in  Taylor’s ongoing innovation in acoustic guitar amplification. The heart  of the Expression System 2 is Taylor’s patented behind-the-saddle  pickup, which features three uniquely positioned and individually  calibrated pickup sensors. Because the pickup doesn't sit under the  saddle, the bottom of the saddle comes in full contact with the bridge,  allowing all the nuance of the guitar's tone to come through clearly  whether playing acousticly or plugged-in. The location of the sensors  enables a more dynamic range of acoustic sound to be captured than ever  before while playing plugged-in. 
Together with Taylor’s  custom-designed “professional audio”-grade preamp, this system produces  exceptional amplified tone and responsiveness. On stage through a PA,  plugged into your favorite acoustic amplifier, or direct into recording  software, the Expression System 2 faithfully conveys the voice of your  Taylor guitar. The Taylor Expression System 2 operates through a  proprietary 9-volt battery compartment and easy-to-use volume, and  active bass and treble controls.
V-Class Bracing 
Taylor's  V-Class bracing is a fundamental innovation in acoustic guitar design.  It marks an important evolution beyond traditional X-bracing,  introducing an entirely new platform for acoustic performance. It is  essentially an "engine" that optimizes the response of an acoustic  guitar in three key ways: by boosting volume, sustain, and by largely  resolving the intonation issues that have long plagued acoustic guitars.  V-Class bracing creates purer, more orderly notes that don't cancel  each other out or sound "off". They have clearer, more consistent  response, and the whole fretboard is brought into greater sonic  alignment for a more musical playing/listening experience. 
Guitars  with V-Class bracing are easier to tune; the pitch sounds purer and  more solid, and electronic tuners can more easily locate notes for  quick, precise tuning. Other benefits: harmonics ring more uniformly  down the neck, notes are louder with more projection and sustain, and  notes are more consistent, i.e., upper register notes don't get choked  out or swallowed. Fewer "sour" sonic qualities exist with chords; a more  agreeable relationship is created between notes as they ripen, bloom  and decay.
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